Van gelder ear in the matrix.
Eric dolphy out to lunch vinyl.
Vinyl lp album reissue stereo country.
Blue note blp 4163 format.
2014 eric dolphy out to lunch blue note records 75th anniversary edition from 1964 s original master eric dolphy is one of the most infamous influential figures in the history of jazz.
Mmbst 84163 blue note bst 84163 blue note st 84163.
Eric dolphy performs by courtesy of fm records.
43 west 61st new york 23 written on back cover.
2014 eric dolphy out to lunch blue note records 75th anniversary edition from 1964 s original master eric dolphy is one of the most infamous influential figures in the history of jazz.
Referencing out to lunch 2x12 album ltd re rm mmbst 84163 bst 84163 509996 98026 1 4 trying to figure out why multiple sellers have a numbered version when the info and images do not seem to indicate this is a numbered edition.
2014 eric dolphy out to lunch blue note records 75th anniversary edition from 1964 s original master eric dolphy is one of the most infamous influential figures in the history of jazz.
Hard bop free jazz modal post bop.
View credits reviews tracks and shop for the 1977 vinyl release of out to lunch.
Recorded at rudy van gelder studio englewood cliffs nj.
His brand of jazz was not rooted in blues but in classical music hence his compositions and his playing technique taking on a more angular approach.
Vinyl lp album stereo repress country.
Out to lunch.
Eric dolphy out to lunch.
Track durations are not provided on the record.
Hard bop free jazz modal post bop.
No ear in run out but with van gelder stamp.
Out to lunch.
View credits reviews tracks and shop for the 1966 vinyl release of out to lunch.
Labels and sleeve same as 1964 1st mono pressings.
Eric dolphy performs by courtesy of fm records.
Recorded on february 25 1964.
View credits reviews tracks and shop for the 1964 vinyl release of out to lunch.
Vinyl album mono lp country.
Blue note bst 84163 format.
New york address on both sides.
33 1 3 microgroove long playing.
Hard bop free jazz modal post bop.
His brand of jazz was not rooted in blues but in classical music hence his compositions and his playing technique taking on a more angular approach.
Labels have beneath the e in blue note.